天堂孤影

爱情片其它1986

主演:马蒂·佩龙帕,卡蒂·奥廷宁,萨卡里·库斯曼嫩

导演:阿基·考里斯马基

 剧照

天堂孤影 剧照 NO.1天堂孤影 剧照 NO.2天堂孤影 剧照 NO.3天堂孤影 剧照 NO.4天堂孤影 剧照 NO.5天堂孤影 剧照 NO.6天堂孤影 剧照 NO.13天堂孤影 剧照 NO.14天堂孤影 剧照 NO.15天堂孤影 剧照 NO.16天堂孤影 剧照 NO.17天堂孤影 剧照 NO.18天堂孤影 剧照 NO.19天堂孤影 剧照 NO.20
更新时间:2023-09-16 18:24

详细剧情

  环卫公司垃圾车驾驶员尼卡德(Matti Pellonpää 饰)的老同事计划筹资组建自己的环卫公司,邀请尼卡德技术入股,但老同事不久急病突发身亡,尼卡德的生活重回一潭死水状态。尼卡德心有不甘借酒滋事,在被拘留的时候结识日后的同事米卡拉。米卡拉偶而会不识趣的妨碍尼卡德暗地追求超市售货员伊罗娜(Kati Outinen 饰),但他仍是尼卡德最可依赖的朋友。伊罗娜为报复超市经理偷走了钱盒,尼卡德帮助她找到服装店的新工作,服装店经理夹到尼卡德与伊罗娜的关系中间,但尼卡德最终夺回了自己的爱人。  本片获1987年芬兰电影尤西奖最佳影片奖。是导演郭立斯马基(Aki Kaurismäki)无产阶级三部曲的第一部。

 长篇影评

 1 ) My Questions on Shadows in Paradise

Actually this is one of my assignments from my foreign teacher who recommended us to watch and ponder on the film. I use plain language to share some of my thoughts here with you and hope you guys will enjoy it!

Feel free to comment!

Questions:
        How to understand the characters in the movie Shadows in Paradise?
        What does the ship which is going off at the end of the movie symbolize?

Possible Answers:
        After watching the film first time, I felt it a comedy with happy ending. However, when I watch the film a second time, I feel depressed, and I have a totally different feeling from the first time. I regard it as an ideal dream of the working class rather than a simple comedy of the workers. This film reminds me of The Flies, which we’ve read last semester. Both of the film and the article are talking about the stories of the same class, the lower working class, which has nothing glamorous but unique. As we all know, paradise represents a bright and joyful image, so how come there are some shadows in paradise? This is the question occurred to me when I first read the title of the movie. Trying to understand the film and the theme, I approach to the understanding of the characters first.
        In the movie, there are two main characters and four other characters. I’d like to divide them into different groups according to the different criteria for the sake of better understanding of the characters.

                 Attitudes towards Life

1.Positive: Make a change
2.Negative: Stay in comfort zone

        According to the attitudes towards life, I categorize the characters into two groups: make a change and stay in comfort zone.
    What I’m most impressed by this movie is that the characters’ desire to make a change. Firstly, the coworker of Nikander, who had a dream to travel around the world with his wife, wanted to run a company by himself. He was fed up with the current job for twenty-five years and he was longing for change. He was so positive towards life, but he worked too hard and prepared a lot for his dream. He even died when he was working. This makes me think of those events in nowadays society, which are the premature deaths of the elites in society. As we all know, if we want to gain something, we have to pay the price sooner or later. However, those premature dead people are working too hard to stand. Although they are positive towards life and willing to make a change, they overwork to make up the lost. Their attitudes towards life should be appreciated, but their method of wealth accumulation should not be complimented. As Confucius has said, enough is as good as a feast. We should be satisfied when we have enough sources. This is probably a correct method of making a change.
        Secondly, the main character, Nikander, is also a member of the positive group. He was willing to be a foreman when his coworker suggested him to be and he learned English after work in order to improve himself. He kept on trying, kept on making a change even he was only a garbage collector, a blue-collar worker. Even though he hadn’t a decent job, he kept everything of his life in order: he went to work on time every day, cooked dinner for himself, and folded his clothes tidily. In my opinion, arranging one’s daily life in order itself is a kind of positive act. The others may have held him in contempt, but the most important thing is that he never looks down upon himself and he is always positive towards life.
        Last but not the least, the partner of Nikander, a jobless person who was arrested in the jail before, was positive as well. He was willing to work and wanted to make a change in his life. He began changing from getting a job, helping Nikander, visiting Nikander when he was crossed in love and taking care of Nikander when he was in the hospital. They were trying to make a change in their life and struggling in the working class.
        In this movie, the characters, though in the inferior status and lower working class, I think are optimistic towards life except Liona’s attitude was controversial.
        Liona went through a lot but she seldom took action to make a change in the previous half of the movie. When she was fired for no reason, she chose to steal the money box and avoid the reality. She requested Nikander to drive her out of the town. In my viewpoint, if she really wanted to make a change, she should use some practical and legal methods rather than this illegal and negative means. Because she must know the result that she would stand accused of theft by the police after she returned home. That is to say, she must know this act will not work and all these would be in vain at the start of her plan. So what’s the point doing this if she really wanted a change in life? She could have appealed to law or the Labour Union for getting a reasonable reply of her unemployment. But she didn’t. From this aspect, she seemed to be negative towards life because she just tried to avoid the cruel reality.
        However, taking her act at another thought, she was still trying even when she was sure to fail. She attempted to make a change and get hold of her own life, though the method she adopted didn’t work. Thus we may interpret this act as a positive attitude of her deep heart from this aspect. What’s more, she was still positive towards life when she chose to leave with Nikanda in the end. This was also an act that she tried to make a change in her life. Probably getting on the ship with Nikander was a signal of revolution.
        To sum up, Liona had both of the positive and negative attitudes towards life which made her attitude controversial. Above all is how I understand the characters from the perspectives of attitudes towards life.

                 Social Status

          1.Upper Class
          2.Lower Class
        
        This movie is mainly talking about the life in the lower working class. The major characters are just like the representative of the lower class in society. They don’t have decent job or well-paid salary, let alone the high-class network in society. They looked more serious and sober. Liona, was the most typical characters of the lower class. She seldom showed a smile on her face, probably because there was nothing worth smiling about in the life of lower class. We know the life of the lower class from her. She was fired the third time for no reason; she turned to steal for revenge because she was unemployed; she had to live in Nikander’s house for accommodation; she had to find a job with the help of men; she had to eat hamburger besides the road rather than have dinner in the restaurant. Those people in lower class had something in common with her.: they haven’t got steady jobs and networks to help.
        Like Liona, Nikander was also a typical character in the lower class. He was looked down upon by the waiter in the restaurant and the manager of the shop because his dress and job. Through their life, we know the life of lower class is full of bitterness and prejudice. This environment is like the shadows existing in society. Anything glamorous doesn’t belong to them. We’re usually attracted by the paradise, the halo of upper class; however, after watching the film, I know that we can’t overlook the shadows, the dark side of society.
        Unlike the lower class, the people in the upper class enjoyed the well-paid salary, stable job and the better quality of service. The manager of the clothes shop could be categorized into this group. He could offer Liona a job; he could have dinner in the restaurant and never bother whether there was a seat or not. The people in upper class enjoy the privileges and live a more comfortable life than those in lower class.
        This is how I understand the characters from the perspective of different social status.

               Attitudes towards Love

         1.Confused
         2.Persistent

        The love story served as a main thread through the whole movie. To understand their attitudes towards love is of great importance. Liona was confused about love when she was in the crossway to make a decision between the manager and Nikander. These two alternatives represented bread and love, the permanent topic in our reality. She was so confused that she didn’t know which to choose. Bread or love, that is a question. Liona first was a realistic lady when she chose the manager, the bread in life. Because she knew she could not live without a job and money. I quite agreed with her first decision. After all, life is cruel. However, she finally looked into her deep heart and found out the real answer, the true love in human. She chose to believe in the power of love so she took an act to leave with Nikander in the end. This is her final decision and attitude towards love.
        Concerning love, Nikander was everything that Liona wasn’t. He was persistent, faithful and loyal to love. He let Liona live in his house for shelter; he gave the money back to the manager of supermarket for Liona; he never gave up Liona even when she had another man. His persistence towards love won Liona’s heart eventually.
        This is how I understand the characters from the perspective of attitudes towards love.


        After analyzing the characters in the movie, I have a better understanding of the theme. The ship also which is going off at the end of the movie makes me think a lot. I have to say the director of the film is a genius because he leaves enough space for the audience to ponder and reflect after watching it, especially the ending part, a marvelous job.
        When the ship was sailing out in the end, the audience may think where were they going? How was the future life of them? These are the questions I think about. I believe many other people may think alike.
        On the surface, the ship with Liona and Nikander on it symbolizes the happy ending of the couple. They finally got together and went for the honeymoon. They took an act and made a change in their life regardless of reality. They may probably have a romantic cruise or a fantastic journey. However, is life really so simple? Does their destination really exist? This ending makes me think of the happy endings of the fairy tales. As we all know, the endings of the fairy tales are like this: from now on, the prince and princess live a happy life forever. Nothing more is described about their future marriage life. But we can guess their life full of pressure and trivial daily troubles. They are the noble so they must be under the pressure of royalty and public. What’s more, they have to deal with those daily necessities let which they seldom concern about before marriage. They have to face to the reality after all. Can they live a happy life forever? That ending just can cheat those children who have never taste the bitterness of the life.
        Similarly, Nikander and Liona are like the prince and princess, who have to face to the reality and have to struggle in the shadows of society after their cruise. Life is never so simple that we can find a place without troubles and tensions. The ship at the end of the movie is like our life, which is dynamic and full of uncertainties. Nikander and Liona wish to be happy and out of pressure from work and society. The ship which was sailing away, like floating up to the paradise, can symbolize the hope of a new life, the paradise in their heart. In their minds, the ship will lead them to the paradise, where they can be away from the shadows in society; nevertheless, that place doesn’t exist. Wherever we are, whoever we are, we still have to tackle those troubles in life. The lyrics of the song at the end of the film “life itself is painful” also tell us the essence of life lies more in its bitterness than in sweetness.
        We don’t know what’s going on in their life, but their future is open to our predictions.
        Maybe they will live an undramatic life in the future and everything will like the same as usual when they are back. Liona may be busy with finding a new job; meanwhile, Nikander may do the routine garbage-man work everyday. Although their life is full of dull work and uneasy things, they might still feel very happy and satisfied in deep heart. As we all know, the definition of happiness varies from person to person. Happiness to them may mean the satisfying feeling in their heart rather than wealth and reputation.
        Who knows maybe they will live a dramatic life? Nikander and Liona may find some commercial opportunities during their journey and they might run their own business in the future. Very soon, they may gain a huge amount of money and climb up to the upper class.
        What’s more, maybe they live in a much more miserable life than before. Liona may probably lose the job and have to struggle in job searching when they are back. Society is competitive and tough. If there is no vacancy for her, she won’t probably earn a living. The same case may also happen to Nikander. He is only a blue collar in the lower class and he might be fired someday for no reason like Liona. Then their life will be a mess and miserable.
        The ship gives me a lot of imaginations and these are the three possibilities I can think of about their future.
        Back to the ship, it will lead us to far shore, but we will never know where is our destination and when will we be there. Our life experience is like the ship, sailing in the endless ocean, fighting with the storms, waiting to get to another shore without clear destination. Like Lin Yutang said before, life is like a dream. Everything is changing on the way, but the most important thing is that Nikander and Liona have found out the things that worth cherishing in their life, which is love.
        In a nutshell, the ship symbolizes our life, which is full of ups and downs, and filled with uncertainties. What’s more, the happy ending of the main characters is just a dream and the place where they leave for is the paradise in their hearts, which doesn’t exist.

 2 ) 困苦中的浪漫 清冷中的唯美

我真是爱死了aki的片子。影片的每一小部分抽出来都很平凡现实冷酷,那是社会最底层的小人物的困苦生活。而所有的情节凑在一起,却真的是带有超现实主义的浪漫色彩。结尾美妙极了,像一首散文诗,像一幅水粉画,像一曲温婉的夜曲,动人心脾。
在aki的故事里,男主人公都很完美,兼具善良、正直、勇敢与柔情,甚至还会有一点文艺青年的小调调。aki影片中的爱情并不轰轰烈烈,却总是突如其来,而后又坚定不移。在天堂孤影里,女主并非一下就爱上了男主,她犹豫了,面临失业的困扰,她走投无路,但又不甘心和一个垃圾清理工在一起。是选择一种更好的生活还是选择一个更好的男人,女主最后问:“你能养活我们两个人吗?”他回答:“小菜一碟。”
你能明白吗,当你真的经历过这样的生活时,真的经历过这样的选择时,你会明白,当你被放弃时你亦会明白,那四个字并不一定是真,却是真的勇气与责任。我想任何好的作品寻求的不是画面中虚置的人为的解读过程,而是心领神会,而是唤起那些自我阅历产生的共鸣。这或许会教人强化自己心灵里的自我意识,感知身边发生的一切,或许抑制住关于未知的冲动情绪,或许勇敢地开解自己渐渐地释然。即使皆非如此,至少涌起的感动能让人觉得自己并非麻木。
aki的故事中同样钟爱友情,配得起朋友二字的那个人总是能够无条件地奉上友情。最后是巨大的商船带他们离开,奔向前方,未知的新生活。
看看aki的片子吧,教男人学会如何做一个男人,看看aki的片子吧,真的很棒!

 3 ) 大师之路

所谓的大师,往往是具有独特的、风格化的特点,希区柯克的悬疑,卓别林的肥裤子大头鞋小胡子,成龙的精巧武打喜剧,周星驰的无厘头等就是很好的例子。这就像相声演员,经过多年反复的精心培养,在观众心目中塑造出条件反射一般的喜感一样,一种题材,拍的久了,成为了标签,想起来某类型影片就想起来某人,大师塑造也就成功了。这是电影大师的成功之路。

芬兰电影大师阿基·考里斯马基,影片关注的是社会底层小人物,或车间工人,或垃圾清运工,或裁缝,或保安,极少的对白,冷淡的表情,年龄大约三十左右的未婚大龄青年,安分守己的努力工作,休闲也就是喷云吐雾的吸根烟,或者喝一杯。机器大多架在三脚架上拍,偶尔用点轨道、高位摇臂,手持极少,镜头舒缓,后期剪辑不是那种凌厉的快镜头短镜头,营造平淡普通悠长的感觉,注重演员在冷漠面容下表情细微的刻画,眼神,嘴角,以及肢体语言的细微表达,多用半身及特写镜头。色彩丰富,在冷基调上常使用一点大红来代表温暖和希望。场景多是旧厂房、简陋的家、小酒馆等,设备陈旧,纹理斑驳,质感细腻耐看。音乐从歌词到曲调,极好的烘托了气氛。整个片子文艺范十足,思想上大量使用留白,给观众留出思考的空间,并引导观众对生活反思。

在这部天堂孤影中,男主角是个垃圾工,偶遇女主,两人相爱。女主对未来担忧,离开了男主。男主下定决心找到女主破镜重圆。女主傍上了一个小老板,于是犹豫了,是过一种更好的物质生活,还是嫁给一个贫穷但更爱自己的垃圾工?结尾二人坐船驶向远方,虽然大风吹起层层叠叠的浪花,大船一往直前,应该是寓意着有一个幸福的未来吧。

我印象很深的地方有四处:

一.女主穿着大红衣服的几个镜头,很有味道。

二.工友说“我要开公司,挣钱带老婆旅游,我都说了很多年了,我不想死在垃圾车上”。结果是猝死在垃圾车边,带老婆出国旅游的愿望没有达成。人生往往就是如此。呵呵,想干啥现在就抓紧干吧,时不我待啊。

三.男主坚持学外语,不管他最后是否能用上,只要努力,就会有收获,就会有更美好的明天,因为那证明了你有一种叫“努力”的美好品格。

四.导演总是把商业片必须的激烈打斗场面给忽略掉。男主踢破门冲进去,镜头静止,下一个镜头就是在警察局里了。薄暮之光的保安为了狗跟人打架,坏蛋放下啤酒出门,然后是坏蛋回来喝啤酒,下一个镜头是鼻青脸肿的保安在路边走,浮云世事餐厅打架,女主走出画面右边,然后回来把夺下的刀放下,火柴厂女工坐在椅子上听音乐,等着父母被毒死,向地上看一眼然后出门等,我们虽然没看到打斗或死亡倒地的画面,但是脑补完成了,不走寻常路,反而更有味道。

阿基的大师塑造成功了,因为他只作一种风格。我们的张艺谋,塑造了文艺范风格,后来尝试各种类型的片子,虽然依然不错,但是对他大师标签的定位却是不利。冯小刚也是这样,喜剧大师这些年着重拍怀旧文艺片,对喜剧大师的名号也是一种削弱。或许,他们能塑造一种多姿多彩的艺术风格,但这种十项全能型的大师,那是宗师,是巨匠,是极难成型的。祝他们成功!

 4 ) 随想

第五部考里斯马基,看出了卓别林的味道来。

《天堂孤影》就是加长版《狗没有地狱》。出狱的男人,等待的女人,被歧视的阶层,心灵空虚的人们百无聊赖地活着,爱情的激流恰逢其时地出现,至于结局导演决定,总是让男女主人公抛下一切、义无反顾地离开,那是多么复杂的心情啊,里面有放弃现有一切的自弃快感、从头再来的非凡勇气、远赴异乡时的张皇以及坚定、忐忑不安的幸福,我想,男人再也不必以旁击側敲的方式去问女人“跟我在一起觉得无聊吗”,因为冒险也因为爱情他们必然感到一种前所未有的新鲜、浪漫、满足。最后一个镜头总是告别,《天堂孤影》里载着两人前往塔林的轮船驶离码头,前来送行的朋友发动他的垃圾车离开港口,垃圾车发动时飘出几缕烟,随风而去。告别唯一的朋友。《狗没有地狱》里火车在黑夜里飞驰,男人就着窗外的微光张望着什么,女人问:“你在看什么?”“看它还在不在。”男人回答。女人问:“谁?”男人答:“祖国。”然后火车彻底进入黑夜,再也看不见了。这是告别祖国。

几部电影看下来发现考对俄国执念很深,男女主人公前去的远方总是俄罗斯。考对俄罗斯文学也有自己独到的见解和偏好。

考善于制造些出其不意的小冲突,然后又往意料之外的方向发展,从故事的角度来看是不流畅的,像由一段段颇有仪式感的僵硬小品组成,时时平地出险峰,暂时地阻断观众的视野,而后再给个通往“柳暗花明”的幽径。

考的电影中,人物的言行是否符合常理、故事走向是否处在舆情可控的规范之内,这些都是次要的、可以忽略的,重要的是考的用意,当然还要看到他的审美。

在考的女主角们的骨子里似乎都活着另一个女人,那个随时可以打开门出走的“娜拉”,可以勇敢爱恨,可以冲破,可以反抗。

之所以尝出卓别林的味道是因为考也在幽默,一个伤心的人在讲冷笑话,他想逗别人笑。一会儿又改变主意,或是觉得自己有失自尊,还是庄重些的好,也许是想起来逗人笑并非他的终极目的。于是逐渐板起面孔来,装作冷酷的样子。苦喜剧,我们姑且这样讲,严肃活泼,笑中带泪啊。

 5 ) 小众、冷幽默、浪漫、高分、极简,大爱这样真诚的好片

“人生高速公路上,有太多虚妄的梦想,我真正思念的只有一人。”

是啊,人生很难但幸福的是还可以思念。

很多时候,我们都会觉得生活是单调的,工作,生活,过了多少天也没什么特别的变化。

似乎对于生活,没有好与坏,也只是在生活着。

其实,孤独而又乏味,这是人生的常态。

可是,如果人生中没有了爱情,没有新鲜和渴望,没有那些挣脱出去的瞬间......

简直难以想象。

好在爱情是公平的,无论你是什么阶级,什么样的人,都可能会拥有它。

阿基的《天堂孤影》便是这样一部影片,它生动描绘了小人物的孤独又充满趣味的生活。

而其中男主角对待爱情的态度,和最后从生活的枷锁中冲出,不顾一切地奔向远方,都是如此的让人动容。

男主尼坎德,是个沉默寡言的中年男子,做着垃圾清理的工作。

他的生活按部就班,每天就是死板地做事,吃饭,睡觉,偶尔听听音乐和喝点酒找点小乐子。

他没有太大的梦想,对生活也没有特别强烈的追求,唯一进取的地方就是坚持去学英语。

尼坎德工作的搭档,为这份工作卖命了大半辈子,依然穷困不已。

他决定自己开个垃圾公司,并邀请尼坎德一起干。

这似乎点燃了尼坎德对美好生活的向往,他答应了。

没想到,老伙计心脏病发作还是死于这份该死的工作上了。

尼坎德,很痛苦也很郁闷,在酒吧喝酒,没忍住和人打架进了局子。

一觉醒来,他发现身边坐着那个被他打了一拳的人,他们不打不相识。

他为这个同样可怜的家伙,介绍了一份工作并成功顶替了老伙计留下的空缺。

就这样,他们开始再一轮日出晚归的孤寂生活。

生活依然没有想头,直到一次惊人的邂逅。

那天,尼坎德不小心伤了手,他没太在意,之后,像平常一样到了超市购物。

当他付钱的时候,抬头看见了女主伊罗娜。

她身穿红衣,在冰冷的环境里格外热烈,像是一下子击中了他。

她也察觉了这个男人的紧张和对她的好感,她提出帮他包扎伤口。

短暂的接触,幻想在慢慢的滋长。

两个同样孤独的人,在另外一次相遇后,慢慢靠近了。

尼坎德穿了西装,开着车带着一束花,和伊罗娜约会。

这个没经验又无聊的家伙,先是问她去哪里好,最后,又将她带到了英语培训班。

这扼杀了伊罗娜对浪漫生活的想象,他们不欢而散。

但是生活多的是残酷和无可奈何,伊罗娜一年内被辞了三次。

而这一次是因为超市经理的女儿即将毕业了,她被找借口辞退了。

她无法忍受继续苟且下去,选择了当场离开。

生活的不堪让她看不到爱情的光,但她似乎又渴望着爱情来打破生活的苦闷。

终于,在大街上和尼坎德再度相遇后,她主动邀请他去散心。

于是,尼坎德欣然接受,并到了提前约定好见面的朋友家,向他说了原委。

并向朋友借钱和白衬衫去泡妞,他老婆不给钱,于是他偷了女儿的储蓄罐里的钱给了尼坎德。

接着,尼坎德和伊罗娜度过了一段特别的爱情时光:

想靠近又羞涩,第一次开房还是开了两个单间。

沙滩看海和鸟,相视无言但终于亲上了。

去高级餐厅吃晚餐因为没位置而没吃成,在路边吃竟也算开心......

之后,他们同居,他们分离,他们和自己的内心交战,他们痛苦不已.....

尼坎德外表冷漠,但内心火热,他从未忘记过她。

他不会表达爱意,但每次想她了他就会穿着整洁去找她,并带上一束鲜花。

即便是,他没有情敌有钱和帅,但他依然对爱执着,不会自卑而是勇敢地迎上去...

在她走后的某一天,尼坎德如期在学习英语,话筒里传来了关于爱情的话题。

他不禁喃喃地道:我从很多角度考虑过爱情,比如伤害和不完美也是一种乐趣。而身处其中的人却很严肃,可笑,很可笑,也很有趣。

然后,他像是想通了什么,冲了出去。

他再次找到了伊罗娜。

而她对他依然很冷淡。

他知趣而走,独自舔着爱情的伤。

伊罗娜她和新交往的男友,也来到了高级餐馆用餐,她想起了她和尼坎德那次来这家餐馆的经历,顿时她觉得孤单极了,忍不住离开了。

她去尼坎德家找他,没有见到,因为他不幸地被人打伤住院了。

所幸,他醒来后再次去找他,完全不顾她这段时间对他的冷淡,他直奔主题:

【我是来带你走的,蜜月旅行总不能一个人去。

她回他:工作呢?他说:辞了。

她又问了句:你能养活我俩么小土豆。他接着回:小意思。】

于是,他们在失去一切后,携手,为爱而逃。

伴随着一首浪漫深情的摇滚乐和缓缓流去的海水,他们登上了奔向远方的轮船。

似乎,前面的一切都为了最后的爱情、逃离和摇滚乐。

影片的力道一下子出来了。

也许,离开也似乎只是一种无力的浪漫。

我们也不知道他们是否会幸福下去,或者离开后又会有新的残酷,但在登上船的那一刻,他们幸福极了。

正如网友评价的那样:他们只剩下彼此了,这反而是一种力量。

片子整体的氛围是偏冷冷的孤独的。

人物之间的爱表现的没有那么热烈,他们的爱情很安静,都那么不善于表露,而最后的不顾一切地炙热和笃定,反而突出了灵魂相通相惜。

如果孤独是解不开的迷,那么爱能带来温暖的光。

所以,如果有个像尼坎德一样的人,对你说这样无聊又动人的情话:

“我什么都不需要。我是尼卡德,以前是屠夫,现在收垃圾,牙齿和胃都不好,肝也不行了。”

这般真诚地交代自己,而又对爱有着虔诚的渴求,那么不妨好好珍惜吧。

PS:阿基电影里的音乐总是那么伤感又温柔,总是能够轻易打动人心。

尤其是本片结尾处那首深情的摇滚歌曲也太好听了,忍不住分享一些它的词:

抬起头,我的爱人,你看那灯火通明的公园。

我的心思念你,在这里孤单地跳动。

请快些吧,快回家吧。

人生啊,如此短暂。

快回来,你给了我一切,我的爱,我的全部。

快些吧,快回来,这里一切都是你的。

但爱人啊,尽管我这样请求,我知道这些都是徒劳的。

尽管我思念你,日日夜夜,不要迎向我,因为你也知道,生活只会带给我们痛苦。

别匆匆回到我身边,这里的阴影会把你淹没。

别匆忙,看这美丽世界,在这里,看不见泪水。

情绪稳定的东dong

 6 ) 赫尔辛基终年不散的灰色

之前在荷兰呆过一段时间,这个国家晴天的时候,热烈得仿佛梵高笔下的燃烧着的橙色火焰;然而阴天的时候,却更像莫奈笔下一丛一丛的灰色,如果遇到冬季的阴天,那就有点像勃鲁盖尔那一片白雪和枝桠之上,灰蒙蒙的天空了。

因为转机的缘故,也去过赫尔辛基,早上的时候,一个人裹着蓝色的衬衫,孤零零地游荡在港口,看着港口的鸽子落地又起飞,抬眼望去,被日光镶了一层金边的白教堂,在芬兰终年灰色的天空下,还是显得有点淡淡的阴郁。

在里面转悠了一圈,绕过阿黛浓美术馆,看着心心念念却没被录取的赫尔辛基大学,听着极其陌生、无从分辨的芬兰语,吃着街边小摊的汉堡,终于有些明白,为啥朋友说在芬兰呆久了容易抑郁了。

在阿基的电影里,一切都是熟悉的北欧调调——在典型的北欧破败寓所里,在暖气片下,小木床边,尼坎德每天的生活,相当按部就班——倒垃圾、买东西、吃东西,然后去学学英语。即使开场的时候,老搭档给了他一个希望,但这个希望很快就被搭档的去世,无情地打碎了。

“凡没有的,连他所有的也要夺去。”

也许,这辈子就这么过去了?

但是,谁又知道,在超市里的那一眼,竟然是一眼万年。

尼坎德看着为自己包扎的伊罗娜(说实话,演员超级像我的一个研究生同学,不过她是德国人),晕红慢慢地漫上了脸庞,眼睛里开始放出一点,星光。

“那天,我遇上你,仿佛漫漫长夜被无数星辰点缀。”

毕竟,在这个孤独得令人抑郁的国家,遇到一个能够互相取暖的人,很难。

也仅仅是多了那么一点悸动,虽然,爱情是脆弱的,脆弱到只需要一点躁动,就可以破碎成一地的碎片。

伊罗娜开始躁动不安,因为面前的这个人,有点无趣,第一次约会竟然带自己去上英语培训班。

她开始问尼坎德,他究竟想在这段亲密关系中获得什么?

尼坎德真诚地看着她:

“我什么都不需要,我叫尼坎德,我以前是个屠夫,现在是个垃圾工,牙齿和胃不好,肝也快不行了。”

是啊,我什么都不要,我就是这样一个人,你喜欢我也好,不喜欢我也好,我的确真真切切地喜欢你。

塔林对于赫尔辛基的人来说,过去非常的方便,到那里可以喝多一点酒,然后醉醺醺地回来。也许,两个人到了后面,要面对更多的残酷,但是去往塔林的那一刻,一切至少是美好的。

 7 ) 北欧色彩&驶向社会主义苏联的船

色彩很北欧 冷 蓝色和黄色的色调

老旧的房间和旧电器 营造出一种很无产阶级的气氛

最后驶向爱沙尼亚塔林(当时还属于苏联)的船,上面还有大大的镰刀锤子标记,似乎带着某种政治寓意——在资本主义的芬兰工人阶级生活在水深火热之中,驶向社会主义的苏联就是驶向天堂呀~~~

如果是在冷战结束苏联解体之后再拍的这部片子,或许就完全是另一种意味了吧。。。

 短评

“我什么都不需要。我是尼卡德,以前是屠夫,现在收垃圾,牙齿和胃都不好,肝也不行了。”收垃圾的男人每次见到心爱的女人都要带一束花,要有多爱,才能回答的这么卑微。不许诺未来,全然交代过去和现在,情话无聊又动人。

8分钟前
  • 疼疼(电动版
  • 推荐

8/10。清垃圾箱时捡到一张唱片,卑微的苦中作乐也能点燃希望;喜欢男女主角初次相遇那段,她的大红衣服在冰冷的环境色调里格外热烈,主动要求帮他扎伤口,两人的脸胀得偏红;餐厅门卫、服装店老板借口阻拦进入,饱受打击的底层仍不把悲伤挂表情上接受怜悯,顶多独自醉一场,缄默是他们争取尊严的方式。

13分钟前
  • 火娃
  • 推荐

太喜欢了,是那种拿出手机备忘录记笔记的喜欢,对无产阶级的孤独感刻画没有流于俗套,而是非常地冷峻和轻巧。

17分钟前
  • 皮格马利翁
  • 力荐

顺着作品年表开始看阿基,有点理解为什么仁科喜欢这个导演,确实很戳文艺青年的点。

20分钟前
  • 子夜吴歌
  • 还行

哎呀,坏坏的可耐的阿基大叔阿基大婶啊……

25分钟前
  • iceman
  • 力荐

和《升空号》其实差不多,甚至是最后也同样是以坐船离开圆满收尾。依然是无产阶级的爱情故事,但可能是三部曲中我最不喜欢的一部了。3.5

29分钟前
  • 方枪枪
  • 还行

“无产阶级三部曲”第一部。听了张大磊的推荐来看,还真是相当动人。考里斯马基的体系太强大,以至于他的这种高度限制的表演方式(绝对可以顺到德莱叶-小津-布列松的体系里,反而不是塔蒂-罗伊安德森-苏雷曼这个体系……)与其实有些离奇的情节在体系里非常自洽。对孤独感的刻画真是入木三分(别忘了这片其实是个风格独特的情节剧啊,差点还走向黑色电影)。开头垃圾车的段落真是漂亮(一瞬间穿到肯洛奇-达内那儿)。剪辑风格干脆利落,居然都不留气口……

31分钟前
  • 胤祥
  • 推荐

我居然好喜欢阿基早年的这部!爱是人最后的尊严。男人自语道:“我从很多个角度考虑过爱情,比如伤害和不完美也是一种乐趣,而身处其中的人却都很严肃。”结尾的歌,如同咏叹调,情感直白:“抬起头,我的爱人。你看那灯火通明的公园,我的心在思念你,在这里孤单地跳动。请快些吧,快回家吧。人生啊,如此短暂。快回来,你给了我一切。但爱人啊,尽管我这样请求。我知道这都是徒劳的,尽管我思念你,日日夜夜。不要迎向我,因为你也知道,生活只会带给我们痛苦。别匆匆回到我身边,这里的阴影会把你淹没。别匆忙,看这美丽的世界。在这里,看不见泪水。”

34分钟前
  • 夜第七章
  • 力荐

开场的赫尔辛基收垃圾佬太酷了,“没有极限”,“可信赖的垃圾处理,始于 1986 ”。不过这部电影和贾木许那部片子的名字,未免太像了吧。而且我明明没看过——怎么一直念叨要坐一趟去塔林的游轮呢?

37分钟前
  • 木卫二
  • 推荐

老鼠与人类的基因差别只有15%左右,沙发土豆肥皂剧和考利马斯基的区别也差不多,不过前者乐于展示张牙舞爪或面目扭曲,而后者则把那些浅薄完全摒弃,冷的彻骨也热的灼心。

40分钟前
  • 托尼·王大拿
  • 推荐

爱考利斯马基就是爱一种肥皂剧 演员、台词、调调 一万年不变你也不烦

43分钟前
  • 皮革业
  • 推荐

考里斯马基总是很有趣:)

45分钟前
  • 闻人林
  • 还行

“我是来带你走的,蜜月旅行总不能一个人去”,真他妈的浪漫。他们未来或许仍逃离不了痛苦,但上船的时刻他们无比幸福

49分钟前
  • SundanceKid🌈
  • 推荐

匆匆看了后半段,结尾觉得很浪漫

53分钟前
  • Sandrelli
  • 力荐

把时间打乱,《火柴厂女工》重生后变得冷酷无情厌倦男人,碰上了另一个时空男版的自己垃圾车男工,两人结婚后去了《勒阿弗尔》,过了平淡幸福的几十年,帮助了一个黑人小男孩,happy ending。这是阿基的电影宇宙。

57分钟前
  • 判官
  • 推荐

垃圾处理从86年开始,问我想要什么没意义,你带给我的只有伤和痛,佛罗里达只有芬兰人和唐老鸭,你能养活我俩么小土豆。。阿基典型的风格

1小时前
  • 琧婯
  • 推荐

友情 爱情

1小时前
  • 还行

曾经不想让别人知道自己的男友是个收垃圾的工人,如今,与男友一同坐在垃圾车里,脸上却闪烁着充满幸福的笑容。爱情是无产阶级仅剩的骄傲。【联合国教科文组织】 芬兰影史十五佳NO.14

1小时前
  • 有心打扰
  • 还行

不知是否有人会像我一样认为此片和北野武那部奇妙地互文。芬兰初夏,阴郁的海...

1小时前
  • 鸡塔
  • 力荐

最后依然是上了一艘大船,那红色的镰刀锤子,航向苏维埃的塔林。年轻时代的卡蒂·奥廷宁,稍微折腾一下也没那么丑了。

1小时前
  • 巴伐利亞酒神
  • 推荐

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